Emerald Fennell’s new “Wuthering Heights” sparked a familiar fight about book adaptations, but some Brontë experts say it still works.
Paul Thomas Anderson won the top prize at the 78th Directors Guild Awards, putting the “One Battle After Another” filmmaker on course to potentially win his first Oscar.
Paul Thomas Anderson’s politically charged action thriller “One Battle After Another” leads the race for the British Academy Film Awards, with 14 nominations including acting nods for five of its cast.
Filmmakers whose careers were shaped by Robert Redford and the Sundance Institute he founded are honoring his legacy at the first Sundance Film Festival since his death.
Leonardo DiCaprio has picked up his sixth lead actor Oscar nomination for his role in “One Battle After Another.”.
An emotional plea by Iranian filmmaker Jafar Panahi and moving words from Ryan Coogler on the violence in Minneapolis have defined this year's National Board of Review Awards.
Paul Thomas Anderson’s ragtag revolutionary saga “One Battle After Another” and Chloe Zhao's Shakespeare drama “Hamnet” took top honors at Sunday’s 83rd Golden Globes, where the up-for-sale Warner Bros.
Paul Thomas Anderson, Ryan Coogler, Guillermo del Toro, Chloé Zhao, and Josh Safdie have been nominated for the Directors Guild's top prize.
“One Battle After Another” dominated nominations to the Actor Awards on Wednesday, with Paul Thomas Anderson’s ragtag revolutionary saga landing a record seven nods in the annual Screen Actors Guild honors.
The Golden Globes nominees have been announced, featuring a diverse group of top names from film and television.
If there were any doubt, the first few days of Hollywood’s year-end awards has already made it abundantly clear.
The publishing world's notable releases this year included a new “Hunger Games” novel and a book by Thomas Pynchon.
Paul Thomas Anderson’s “One Battle After Another” was crowned best feature film and the dissident Iranian director Jafar Panahi won three awards Monday at the 35th annual Gotham Awards, a starry kickoff to the film industry’s awards season.
Taylor Swift's new film, “The Official Release Party of a Show Girl,” has topped the weekend box office with $33 million in North America.
It’s been eight years since Daniel Day-Lewis announced his retirement from acting and said he wanted to “explore the world in a different way.”.
“One Battle After Another,” Paul Thomas Anderson’s widely acclaimed American epic of rebellion and resistance, opened with $22.4 million in ticket sales from North American theaters over the weekend.
Paul Thomas Anderson’s “One Battle After Another” isn’t part of the New York Film Festival’s lineup, but its agitated sense of inheritance and keeping a fighting spirit alive are all over this year’s cinematic convergence at Lincoln Center.
Robert Redford, who died Tuesday at 89, transformed the film industry with the Sundance Institute and Film Festival.
Emagine Entertainment will spotlight the films of Stanley Kubrick and Paul Thomas Anderson at the Birmingham 8 theater throughout the summer.
New films from Wes Anderson, Ari Aster, and Richard Linklater will compete for the Palme d’Or at the 78th Cannes Film Festival.
In a time when streaming and a pandemic have radically transformed cinema consumption over the past decade, a growing number of mostly younger people are contributing to a renaissance of the Los Angeles independent movie theater scene.
This week’s new streaming entertainment releases include the Boston-set caper “The Instigators” starring Matt Damon and Casey Affleck, Netflix premiering the final season of “The Umbrella Academy” and J Balvin has an album he likens to a house party.
Since the early days of Hollywood, stunt performers have fueled the mayhem of movies, playing a vital role in sustaining the illusion of countless car chases, bar fights and rooftop leaps.
Daniel Day-Lewis took a break from retirement to present Martin Scorsese the award for best director at the National Board of Review Awards in midtown Manhattan.
Vicky Krieps stars in Viggo Mortensen's feminist Western “The Dead Don’t Hurt” as a woman assaulted while her partner is away fighting for the Union army.
Steven Spielberg, Martin Scorsese and Paul Thomas Anderson are stepping up to help curate programming for Turner Classic Movies, amid a tumultuous week of layoffs and leadership changes that had fans worried about the future of the channel.
Philip Baker Hall, the prolific character actor of film and theater who starred in Paul Thomas Anderson’s early movies and who memorably hunted down a long-overdue library book in “Seinfeld,” has died.
Bike rides, kickball, Jiffy Pop, Jell-O and other well-remembered details crowd Richard Linklater’s “Apollo 10 1/2: A Space Age Childhood,” an affectionate ode to his childhood growing up outside Houston in the late 1960s.
Hollywood’s Super Bowl weekend largely fizzled with the muted debut of Kenneth Branagh’s long-delayed Agatha Christie whodunit, “Death on the Nile,” a tepid reception for the Jennifer Lopez romantic-comedy “Marry Me” and modest box-office bumps for Oscar nominees.
The 94th Oscar nominations were full of surprises in both satisfying and disappointing ways, but when there are only five nominees in most categories, it’s almost guaranteed that a few favorites will miss the cut.
Even with some mighty competition from new Matrix and Sing movies and rising concerns over the omicron variant, “Spider-Man: No Way Home” stayed in the No. 1 spot, with $81.5 million according to studio estimates Sunday.
The American Film Institute lined up behind many of the year’s end-of-year Oscar contenders, naming Steven Spielberg’s “West Side Story,” Jane Campion’s “The Power of the Dog” and Adam McKay’s “Don’t Look Up” among the year’s 10 best films.
The New York Film Critics Circle on Friday named “Drive My Car,” Ryusuke Hamaguchi’s three-hour emotional epic and Haruki Murakami’s short story adaptation, the best film of the year.
Thanksgiving weekend moviegoing was still far from the feast it normally is, but Disney’s “Encanto” and the Lady Gaga-led “House of Gucci” both gave a lift to two genres that have been particularly battered by the pandemic: family movies and adult dramas.
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